Story by Lizzy Goodman âą Photography by Jason Bell âą For United Airlinesâ Rhapsody Magazine (excerpts)
Calling from his house in the British countryside, Redmayne speaks with solemnity about
the duty he feels to get it right. âWhen youâre given the opportunity to play someone
as amazing as Stephen or Lili, the pressure makes you really buckle down,â he says.
Redmayne brought the same reverence to his role as Newt Scamander in Fantastic Beasts,
though, of course, playing a socially awkward, stealthily rebellious wizard toting a tattered
suitcase filled with magical creatures presented a new and different challenge. âThe first time
Newt is introduced in the script, J.K. Rowling had written in the stage directions that he has
a Buster Keatonâesque quality to his walk,â Redmayne recalls. âAnd I was like, Oh my god,
what a thing to write! Now I have to go and work out what that is!â
For Redmayneâs first meeting with director David Yates, the actor arrived looking the part â
unbeknownst to him. âI came with my briefcaseâthis little case where I keep my research and
my script to whatever Iâm doing,â he explains. âDavid started to tell me the story, and then
revealed that Newt had this case in which he kept these creatures. So I slightly embarrassingly
pushed my case under the chair to make it not look like I had come prepared with my own props.â
âI really do think J.K. Rowling is a genius. She creates this world that is so real and
has such an intricacy and delicacy and authenticity to it. There are these magical,
extraordinary elements to it, but itâs about trying to ground it in something truthful.â
âThere was this amazing shop called Davenportsâthe kind of shop where real magicians
buy their tricks, the sort of place where you could buy the equipment to saw someone in half,â
he says gleefully. âIt had a very Potter vibe, actuallyâit was in this slightly grotty subway
beneath Charing Cross station in London.â When he was 7 or 8 years old, little Redmayne
would just hang out there, riveted. âWhen I got cast in this film, my grandma was like,
âI always knew you could play a wizard,ââ he says. âShe was thrilled.â
âI hope he doesnât mind me saying this, but heâs an unusual-looking man,â Yates says.
âHeâs actually very beautiful, but not in a traditional way, so the camera really loves him.â
âHe truly is a gentleman,â says Katherine Waterston, his Fantastic Beasts co-star. âBut being polite
doesnât really get you very far in this world. Youâre not going to win an Oscar because you write a
thank-you note.â What Redmayne offers, she says, is more than âfancy English boarding schoolâ
gentility. âHis kindness is not something he simply practicesâit is him. Thatâs whatâs so disarming
about it. Itâs not that we never meet a gentleman or weâre never around polite people; itâs just how
genuine it is and how true it is, how soulful he is. Itâs almost skimming the surface to call him polite.â
That radiant goodness allows Redmayne to more deeply explore âthe edgesâ of people, as he puts it, in his work. âIâm a relatively straightforward human being,â he says, joking that heâs nowhere near as complex as the people
he plays. âBut I love being able to investigate those parts of characters that you donât relate to at all, that you
have to find a way to. As an actor, youâre given the freedom to explore those things in a safe environment.â