TRIBECA FILM FESTIVAL DIRECTORS SERIES: TOM KALIN
by Rebecca Carroll. published in PAPER Magazine on April 28, 2008 (full article)
TK: I work with a great casting director, Laura Rosenthal, and she is excellent about finding actors. Eddie did The Goat in London and won a prize for it. We met, he read, he had amazing instincts, he went away for nine months, he shot The Good Shepard in the meantime, came back, read again and this time he had grown and there was a lot more depth, and
he was by far the most amazing actor who read.
He was shooting The Golden Age then and had these adorable little extensions in, and was like, ‘Oh, extensions look weird,’ I was like, ‘Eddie, you’re adorable, don’t worry about it.’ And there’s also the added and very important benefit that you believe that Eddie is Julie’s son. For Barbara and Tony to work on camera, you must believe that one actor is the parent of the other actor, and if you don’t, if you just think it’s make believe, that it’s Julianne Moore and Eddie Redmayne, it falls apart. But people believe it.
he was by far the most amazing actor who read.
He was shooting The Golden Age then and had these adorable little extensions in, and was like, ‘Oh, extensions look weird,’ I was like, ‘Eddie, you’re adorable, don’t worry about it.’ And there’s also the added and very important benefit that you believe that Eddie is Julie’s son. For Barbara and Tony to work on camera, you must believe that one actor is the parent of the other actor, and if you don’t, if you just think it’s make believe, that it’s Julianne Moore and Eddie Redmayne, it falls apart. But people believe it.
Eddie Redmayne and director Tom Kalin being photographed by Henny Garfunkel .
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